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Fashion & Myths

Why Should We Concern About Givenchy “Hoof” Platforms?

March 30, 2021 by Aynura Maye

As usual, I am quite late in this – the queen of procrastination. And I hate myself for that. Meant to write about it weeks ago. The Givenchy show somehow left a bitter taste in my mouth. I just can’t get over these “hoof” platforms. Something feels quite unsettling. They keep reminding me of a tragic story of another genius designer. I did little social media intelligence to see if people get the same vibes…and yes, some do. These horse hoof-like platforms very much resemble the sneak heels by the late Alexander McQueen, eternalized by Lady Gaga in the days when she wasn’t a full blown global celebrity yet.

https://www.instagram.com/p/CMIDafcr3dT/?utm_source=ig_web_copy_link

What I find worrisome is what happened to Alexander McQueen after that show where those platforms were an integral part of his all serpent show. The show had such a mesmerizing effect that nobody seemed to question from where such overpowering images were rising. The tragic news following that show brought into light the serious problems that troubled his mind and soul deeply. He was struggling with devouring serpents. Maybe that show was his call for help. Maybe it was his cathartic cry to strip those serpents off their power, to liberate his mind? Who knows, one thing is clear now – he was being swallowed by those serpents while he was creating that show and the whole set up was the sketch of the drama happening inside…I don’t doubt this a second.

Now these bright red platforms were presented in a vast, dark space as @suzymenkes puts it – with brutality and fear. They do not resemble snake. They recall horse hoofs. This is the point. Although not entirely same as snake, horse as well, is a very powerful, archetypal symbol. I am pretty much sure, in every culture there is a tale that has a sort of horse in it – a white horse, black horse, winged horse, three-legged horse, even horses that can talk, have vision, give advice etc. In some fables, especially of religious nature, the horses may have amphibious nature. The symbol of horse, rising from deep psychic pool of the collective unconscious like snake, denotes the deep processes happening inside.

https://www.instagram.com/p/CLjl7pfANrl/?utm_source=ig_web_copy_link

In this dark pool where the memory of humanity is stored, animal symbols generally stand for instinctual drive, our lower life. Horse too – it’s sub-human, the powerful, free-reining instinctual drive that is limitless, overpowering and if not controlled destructive. It represents dynamic power of instinctual life that doesn’t care about societal norms, frames and taboos. It doesn’t have self-control, tends to grow bigger until it destroys us and subject to panic. For us, horse means locomotion as well, a beast of burden – either we learn to ride it or it takes free rein galloping us away like a surge of instinct.

https://www.instagram.com/p/CI6ESRFA5TA/?utm_source=ig_web_copy_link

Activation of psychic forces that produce the image of horse is an unsettling thought. When I think little more about it, the more I worry about other details too – for example – the choice of color – especially, red and black. Why the choice has fallen on these colors that symbolically mean so much, specifically when combined with the image of horse. (Fairy tale readers would know a thing or two about white or black horses).

Was it designed to the taste of Z-gen? Then should we worry about Z-gen too? Again, as @suzymenkes puts it – is it about belonging to a community of cool or a cult? I just hope in these trying times, it is nothing more than just a creative effort.

Filed Under: Fashion, Fashion & Myths

Milan Fashion Week SS21: Thousand Faces of a Dream?

September 26, 2020 by Aynura Maye

I wonder whether the fashion has ever been really about fashion. I always thought of the fashion as the mirror of the spirit of its time. Yet, on the last day of the Milan Fashion Week, looking back the previous years, I think fashion means way more. It may also harbinger big social changes yet to occur. As close as three years ago, the runways were all about experimental deconstruction. To a point it was hard to understand what we feel about them. Now, in the midst of social, political, environmental crisis and debilitating pandemic, I, in retrospect, want to allow myself to believe that fashion or designers were heralding this perfect chaos. This crippling predicament that we’ve put out on the face of the world after seasoning it for some years inside the dark alleys of our mind.

https://www.instagram.com/p/CFrfag2IHrs/

One may ask, what these thoughts have to do with this week of fashion? Now, going carefully over the shows, I see one major line, one dream. A theme that to my mind, have been replayed and brought to runways and our screens in a thousand different ways. Each house and brand, in its own way, played the idea of going back to roots, home and DNA – the guarantor of serenity and tranquility. In times of unprecedented discord and agitation to feel once again in charge of life to recharge and re-orient. To be able to be hopeful again.

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A post shared by Giorgio Armani (@giorgioarmani)

Thousand shapes of one story

Although at first sight unlikely, each of these houses played the same theme in line with their core values. Maybe the most direct take came from Valentino by going back to Italy, its country of birth. Dolce & Gabbana revisited the patchwork tradition of its home, Siciliy with a grotesque set design. Etro, likewise, paid a tribute to its roots in a very Etro-ish colorful presentation. In total contrast to the splash of bright colors, Fendi had its models walk down dreamy, delicate white runway decorated with nostalgic yet kind of romantic white curtains… once again, in a tribute to its family traditions. Luisa Beccari, in a poetic way, dedicated the show to her own family. Holding tight to its DNA, the rule-breaker Missioni was home again. Probably the only house capable of elevating knitwear to high fashion and extending it into home and lifestyle, Missioni reversed seasons, revealing autumn-winter collection (to me, rightfully). Armani, who rose and shone with fabrics, went back to roots in his own way. We’d just witnessed a showcase of fabrics of almost ambrosial taste. Versace, born out of the instinctual lust and subterranean carnal desires was back in chthonic land of the Gorgons. Prada occupied itself with “a fundamental examination of the meaning of Prada”. Moschino outdid itself with its already viral doll show in quest of reinventing its DNA of playfulness. Even an emerging brand, Act-1, which is born out of bottomless doubts and identity crisis once more considered this dreadful theme against the staggering reality we live now.

https://www.instagram.com/p/CFprTTwhmzZ/

More Earth Colors, More Flowers

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A post shared by Alberta Ferretti (@albertaferretti)

What I am writing next may sound bizarre. Maybe it’s kind of bizarre. Fashion houses, regardless their story of inspiration, have seriously resorted to the Earth Colors. This palette, besides being a bare testimony of us painfully and slowly waking up to our prejudices, has a distinct meaning. Starting from the milkiest beige tone to the dark brown the earth colors symbolize the Earth, the mother earth, the mother, the safe harbor. Resorting to this color palette, to me, says a lot about our state of mind. To this train of thought we can easily add green color (Mother Nature), and flower details.  

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A post shared by Valentino (@maisonvalentino)

When the drives behind manifestations are studied, really the pieces of the puzzle come together – the cry of our soul to feel safe again expressed in so many different ways and colors. The stories of inspiration revolved around what we long for – returning home, roots, family or brand DNA. To bath in the unfailing serenity and tranquility to recharge and re-orient.

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A post shared by Elisabetta Franchi (@elisabettafranchi)

Filed Under: Fashion, Fashion & Myths Tagged With: fashion, fashion symbols, Fashion Week, italian, italian fashion, Milan, milan fashion week, moda, spring-summer 21, ss21, symbols

The Untold Story of Hermès

January 14, 2019 by Aynura Maye

Sky-rocketing price and unaffordability aside who doesn’t love the sight of the Hermès Birkin bag and the stories revolving around it? Even my Google news feed sometimes pops up articles about the celebrities who were seen with it. The enigma of this House is not only about its products, but also its name. The general story is that the Fashion House took its name from the namesake Messenger God. Obviously Hermès was born as a brand specialized in travel accessories (back in times when travel accessories meant horse tack and supplies). So the name of The God who is believed to travel all the time seems to be the right fit. But what kind of messages he used to deliver?

Hermès as a symbol of full transcendence – coming from the depth of underground going upwards to paradise.
Photo: the Internet

The God Hermès that everybody knows

The typical description of the God Hermès goes like this: Hermès is a “psycho-pomp” – that is to say soul-guide. Its statue is a piece of stone – Herm that has Twined Snake around a staff on one side and an Erect Phallus on the other. Next to him there is a sort of tree in a very simple form. Let’s call this composition statue. This statue used to be placed in crossroads alluding to its capacity to travel between worlds. Because like a shaman, Hermès used to guide the dead to the underworld and bring messages from there (bizarre huh?)

Let’s leave behind the logical reasoning and dive into a dimension where concepts transcend the rational and limited meaning we ascribe to them. Then we’ll see what Hermès really represents for us.

Design detail – winged feet of Hermès. Photo: the Internet

If I have to sum up in simple words, Hermès symbolizes the transmutation of soul through the history of evolution.

Not Messenger Only God Hermès

This myth talks us about times when an early man started to rise from the darkness of instinctual life (symbolized as the underground world) towards his/her way to acquire rational thinking (terrestrial life). This young Hermès has a metamorphose nature. He is not a underground force only (meaning, the purely instinctual element of the unconscious). He is also connected to the conscious life. However with capacity to still descend into the dark layers. He symbolizes the process of transcendence. While having a foot in the underground he travels from one dimension to another. How? This part is really funny.

Herm – the initial and simple version of the God Hermès. Photo: Man and His Symbols, C.G.Jung

He penetrates thru darkness of the unconscious into the light of terrestrial life (a.k.a light of reasoning) with his Erect Phallus. I know you are laughing now. But it turns out this is how our mind works at very deep levels. That childish and archaic mode of thinking is still there. Erect phallus is overly sexual of course. But in that dimension, phallus translates into fertility and not physical fertility only, but creative power of the psyche, fecundating, life giving power as well. The twined serpents are in sexual union. Again, sexual not taken literally, but equal union of the opposites that is transcendental, wholesomeness.

Almost as a rule, terrestrial and water animals symbolize our instinctual drives, forces of the “underground”. Reptiles being intermediate creatures with a capacity to live in two different environments, allude to this transcendence – arising from the depth of dark uncontrolled mass towards the world of light – the conscious reasoning.

Hermès – the symbol of full transcendence

Hermès is a living symbol that has been subject to elaboration. In middle ages, it acquired wings which denotes to rising from terrestrial life towards spiritual transcendence.  Wings symbolize this transformation. Even the caduceus in his hand that is a symbol of healing got wings at the top of the serpents. Thus our little fellow acquired a power of full transcendence – coming from the depth of underground going upwards to the paradise.

Not by chance, in the chain of living things we are the only ones who come from darkness of instinctual world of animals with aspirations to mature into spirituality of paradise. We are the terrestrial beings just between underground compulsive forces and heavenly angles.

To close, the soul each of us carry is Hermès destined to evolve through these stages. So, every time, you see an Hermès item, remember, there is a small Hermès inside you too and is way more valuable than anything money can buy.

Filed Under: Fashion & Myths Tagged With: depth psychology, fashion, fashion symbols, greek mythology, Hermes, high fashion, luxury, myth, mythical characters, mythology, the Birkin bag

Jewelry… The more intimate our feelings are, the more expensive the jewelry becomes…

November 14, 2018 by Aynura Maye

It has been longer than a week that I’ve been scratching my head over, ok right, reading and reflecting over why we turn to jewelry, precious stones, especially diamond to express our affection and most intimate feelings. Why do we love them? I have gone through Freudian psychoanalysis, researches and more – long story short, lots of reading and reflection. Result – lots of doubts, lots of belief system, but nothing for sure. Good part of it – we are free to build our own take. So, I am building this article on what makes sense to me. I’d love to hear your opinion and open up discussion about it.

Necklaces and jewelry Photo: Unsplash.com

I see some connection between love of jewelry and mythologically speaking “search of soul”. Please bear with me! I’ll develop my though processes step by step. It will be fun!

Throughout the history we have been decorating our bodies with jewelry – the most primitive ones being bones or other parts of animals our ancestors killed. In retrospect, it is easy to see that the early jewelry was not for decoration, rather affirmation of “commitments” or “life journey” of the tribal members.

Keyword: Petrification

So jewelry was born as something more than means of decoration. Its role was to kind of “freeze in time” the life journey of the bearer of that primal jewelry. This thought makes me remember two things – how the ephemerality of life made philosophers wrestle for ages with the question of death and meaning of life and “petrification” an important word in mythology which means “hardening into stone”. (the Root coming from pietra/piedra – stone). And this reminds me of monuments – when we want to make something or someone to be remembered eternally, we build a monument – we eternalize or immortalize it.

You can read the full article at the Design & Fashion section of FoodConfidential.it

 

Filed Under: Fashion & Myths

Gucci’s Ark of Noah. Why are we all Noah?

October 16, 2018 by Aynura Maye

Now that I am on water symbol, I’ll have one more post to dig a bit deeper on water. Gucci just released its new theme for #GothicCampaign recreating the Ark of Noah and this is perfect one to pick on.

Gucci #GothicCampaign - recreation of Noah's Ark. Photo: Internet
Gucci re-created the Ark of Noah Ark for #GothicCampaign
Photo: Internet

Now Alessandro Michele takes on Deluge and the Ark of Noah, one of the early stories of Genesis. It is one of those themes that we know can’t be true, yet some part of us secretly believes that it may be true. And surprisingly it is, but in a symbolic way. Because it talks about some parts of our existence that is unknown to us obscured in the dark abyss of our psyche. We are well aware that the myths are not history, or biography or some sort of historical record. Then what is it about that touches us so deeply? In a nutshell, they are about the psychic processes happening inside us expressed through symbols in an exaggerated fashion. We sense that they tell us something, but can’t discern what it is. It is that dreamy symbolic language that puzzles us.

The Deluge and the Ark of Noah Ark is the story of our consciousness (or Ego) taking control over the unconscious content narrated in the highly symbolic language of the unconscious. Every object in the myth is purely symbolic and holds certain meaning. Let’s try to “translate” this myth.

Deluge

In psychoanalysis and dream analysis water is symbol of the unconscious – the dark abyss which is house to uncontrollable and powerful instinctual urges. The darker and the more turbulent the water, the more unease in the unconscious. So we know what Deluge stands for – the unc­ontrollable and wild nature of our unconscious.

Noah

One of the earliest prophets of the mankind is very symbolic of the very process of the birth of the consciousness. This is the element of our psyche that is in power to take control over the unconscious urges and impulses and give direction – make decisions. By the way, we’ve laboriously developed this precious “skill” over millions of years and with it we’ve distinguished ourselves from the rest of the living things and the dark totality of our unconscious. This is the reason why “prophets taking control of waters in ark or over some sort of fish” is a recurrent storyline in many religions. It is kind of the way our unconscious has registered the evolutionary process in its peculiar symbolic language.

Animals and the perfect harmony

The next question is of course, what about the animals and the perfect peace between animals and humans? Again, let’s have a look at recurring image of prophets – a good shepherd. Do we remember Orpheus? Who created perfect harmony when he played his lyre? Or Jesus? Yes, he was Shepherd too. Noah himself is kind of good shepherd who created perfect harmony among living things. Animals notoriously stand for our biological or instinctual impulses, in other words our low animalistic drives. Good shepherd is the one who through the virtue of the consciousness and wisdom has tamed his animalistic impulses and created harmony in his soul.

Translation into our common language

The myth of Noah is the story of how we gradually “woke up” from the pure instinctual life and separated ourselves from the animal kingdom and developed the consciousness (Ego). He is symbol of mankind, who has learned to navigate on the dark waters of the unconscious without being absorbed by back by it. And even give direction to his/her life.

What Noah means for each of us

We all pass this “Ark of Noah” period when we start to develop consciousness when we are babies at early toddler age. So he is a living symbol inside us. Also, as long as we tend “to lose our mind”, in other words, fall victim to our impulses and feelings, the Deluge will be an ever-present danger for us. Because those emotions are rooted at powerful forces deep inside. In the background we always live with the peril of our consciousness being devoured by the Deluge, in other words, literally lose our minds.

I wonder who will bring so much mysticism with hippy twist to Gucci besides Michele Alessandro. Who will touch so gracefully to this ever-present stories of our soul in fashion industry. I found the video just brilliant. Very much looking forwards to his creations on this theme.

Filed Under: Fashion & Myths Tagged With: Alessandro Michele, Deluge, depth psychology, fashion, fashion symbols, Gothic Campaign, Gucci, myth, Noah's Ark

Fendi’s show on Fontana Trevi and hidden mysticism

October 11, 2018 by Aynura Maye

I have moved to Rome in the beginning of 2016. Pregnant. The baby was due in July. While I was trying to settle down and make space (literally) for the new member of the family, something incredible was happening in Rome of which I became aware quite late. More precisely, that thing was happening in the same month that I was giving light to the new addition of our family. Fendi put on a spectacular show called Legends and Fairy Tales on the iconic Fontana Trevi to celebrate the Fashion House’s 90 years of heritage.

Fendi celebrating 90 years with subtle mythic show – Heroes and Fairy Tales
7 July 2016, Rome, Fontana Trevi
Photo: Internet (Victor Boyko/Getty Images)

To tell the truth, I was too busy with family duties back then. In fact even the idea of this blog hadn’t been born yet. But the thought of me being in Rome during that event and not knowing about it somehow pains me. When I write it down I realize how mean I sound.

Cut to the chase, Fendi’s show was majestic, mythical and obviously very much appraised. Now, almost more than two years later I am going back to that event to share why I would have loved to know about it and why it made people “wow”.

Fendi celebrating 90 years with a subtle mythic show – Heroes and Fairy Tales
7 July 2016, Rome, Fontana Trevi
Photo: Internet (Victor Boyko/Getty Images )

We, unknowingly, tend to reproduce exact same images that were “living realities” of our ancestors, which still are secret realities of our psychic life. You wonder what I am talking about and what it has to do with Fendi’s iconic show. Here it goes:

The Water.  And Fendi models walking over the water or “being born out of water”.


Fendi celebrating 90 years with a subtle mythic show – Heroes and Fairy Tales
7 July 2016, Rome, Fontana Trevi
Photo: Internet (Victor Boyko/Getty Images)

Water in our dreams (and psychoanalysis) symbolizes our unconscious – the dark depth of our psyche. The source or the container of everything from destructive to regenerative, from devilish to divine. In this sense, it is related to “Great Mother” as well. Because our little, tiny, fragile consciousness nourishes on the unconscious. When we feel exhausted, burnt out in life, we shut off to the world and retrieve to that source to recharge and regenerate our life energy.

Now, how this whole spectacle resembles the images and living things I was talking above? Let’s now dig a bit into mythological side of it to see how this relationship to the unconscious manifested itself as mythological symbol. Or just scratch the surface, it is a very complicated symbol.

No need to remind that since we, as mankind, became aware of ourselves, water has been an ever present symbol. Among many other things, it is symbol of regeneration, rebirth and purification. It is that baptismal water that means rebirth in Christianity. Ablution rituals in Islam that stands for purity. There is long list of strict rituals entailing water in Judaism. Regardless religion or faith, full immersion in water is about being reborn out of divine waters to where we will return. In this sense, it is related to the Great Mother, the divine uterus or in psychological terms the unconscious. (Does it explain why there are so many spells and exorcism rituals done with water? Thousand and One Nights series are full of it) I know, it sounds quite absurd when I write like this because it is hard to digest such metaphoric things consciously. But in our unconscious realm where everything gets associated pictorially on feeling-base it makes perfect sense.

Fontana Trevi – divine uterus


Fendi celebrating 90 years with a subtle mythic show – Heroes and Fairy Tales
7 July 2016, Rome, Fontana Trevi
Photo: Internet (Victor Boyko/Getty Images)

Moreover, this scene was over Fontana Trevi. Yes, Trevi is iconic because it is one of the symbols of Rome. But it has its own peculiar significance. People travel hundreds of miles to drop a coin in this water to “make their dreams come true”. With all the mythological monuments that are part of the fountain, Fontana Trevi symbolizes that divine vessel, waters of which hold secrets, recharge, and give hope and new life.

That’s why the whole show with models walking over the water or “being reborn out of water” resembled a ritual of rebirth, where initiator would be immersed in water to be reborn. This is the reason that it had people “wow”.

Filed Under: Fashion & Myths Tagged With: depth psychology, fendi, Fontana Trevi, high fashion, Legends and Fairy Tales, luxury, mythology, Roma, Rome

Couture headpieces – anything from wild to flamboyant, but never a dumb thing!

July 11, 2018 by Aynura Maye

Last week on the couture runway we have seen the most creative headpieces so far – from the sublime veils to the most flamboyant masks of animals, flowers, you name. Actually, this is what has remained with me about this week – a parade of flashy headpieces and masks.

Paris Haute Couture Fall 2018. Schiaparelli. Photo: Internet
Paris Haute Couture Fall 2018. Schiaparelli. Photo: Internet

Even more interesting is the sky-high praises and affirmative reactions the luxury houses garnered for these obviously impractical pieces. In such a paradoxical moment the first thing comes to mind is “well, it is a couture week, no rules, no restrictions to the imagination”. Yes, let’s say that part is clear. But why so much positivity from the connoisseurs of fashion?

This article has originally appeared in Marie Claire Italia in Italian  as “I copricapi della Haute-Couture 2019 sono l’essenza dello sciamanesimo moderno?“

Paris Haute Couture Fall 2018, Vetements. Photo: Internet

Sit close and I’ll give out a secret – no matter how far our imagination goes, it simply can’t go farther than what our mind can produce. Using flashy headpieces have certain power or we are wired to ascribe certain power to them. Let me give an example to make my point clear – who remembers the images of the primitive men from the history books, more precisely, the images of shaman? The shaman who wore bird masks, beaks and feathered wings to enter the trance. Surely, they were not getting ready for a couture runway then. What they meant was to take on a bird life so that their souls could get liberated and fly out of their bodies. And their tribe, including those shamans took this make-believe game seriously. They all were impressed and taken by the power of this ritual.

Read about the secretive nature of the veils here

Paris Haute Couture Fall 2018, Schiaparelli. Photo: Internet
Paris Haute Couture Fall 2018, Schiaparelli. Photo: Internet

Or when we are sad, we describe our life as dark and black, the same color we dress the angel of death in our imagination. It never comes in a colorful garment. When we are in love, we bloom flowers. All these metaphors seem so logical that we do not even bother to ask “how and why?” Yet there is no logical connection in such kind of associations.

Paris Haute Couture Fall 2018, Schiaparelli. Photo: Internet
Paris Haute Couture Fall 2018, Schiaparelli. Photo: Internet

The same thing is happening now. In a sense, those flamboyant pieces are just an exaggerated way of communicating our state of mind. The difference is that we’ve pushed the use of those exaggerated, extravagant headpieces to the runways only. But the reaction they stir inside us is still the same. In the depth of our mind we are not much different than our ancestors. We still use headwear, but in a more subtle manner. Just because we are more conscious of ourselves now. Yet we get overwhelmed and dazed by the power they exert on us. Just think about the headpiece of the Pope or of a judge. We haven’t changed much, have we?

That’s why rather than saying “it is a couture week, no limit to the imagination”, I’d say “it is a couture week, let’s have a blast with everything that our mind can fantasize”.

To sum up – now that we know the secret power of the headpieces, we know how to wear to impress. In the end, the life is runway and we are role-models of our own lives. Let’s jazz it up.

This article has originally appeared in Marie Claire Italia in Italian  as “I copricapi della Haute-Couture 2019 sono l’essenza dello sciamanesimo moderno?“

Read about the secretive nature of the veils here

Filed Under: Fashion & Myths Tagged With: fashion symbols, Haute Couture, headpieces, Paris, Schiaparelli, shamanism

Veil – the secret of secrecy

July 9, 2018 by Aynura Maye

Last week was definitely a week of headpieces in Paris. Besides all the flamboyant masks and headwear, we were not short of the veils either – black and white, structured and freely flowing, tiny detail and statement piece – all types. And we loved them. Every time I returned to go over a certain collection, I unnoticeably clicked on the looks that came with either a headpiece or a veil. They are catchy, really.

Ashi veil, Paris Haute Couture, Fall 2018. Photo: Internet
Ashi veil, Paris Haute Couture, Fall 2018. Photo: Internet

But the veil is not like any other symbolic headpiece that is poised to exert power. It is quite different, more subtle. Not only it looks romantically beautiful, but also gives an air of secrecy, mystery. It is sublime and tenderly suggestive, calling one to look again to see who or what is behind.

Interestingly, we rarely see a man with a veil. At least, I do not see that happening. Still not in fashion. Because our creativity doesn’t go farther than what our mind produces. In the dark depth of our mind the femininity and the veil go hand-in-hand. The veil makes a female present, yet hidden. Not totally hidden, yet not entirely exposed – something mystical, spiritual is there. It is the hidden mood, deep state of mind. The female is the medium – between celestial and terrestrial.

Georges Chakra veils, Paris Haute Couture, Fall 2018. Photo: Internet
Georges Chakra veils, Paris Haute Couture, Fall 2018. Photo: Internet

Related article:
The “A La Gucci” Great Hermaphrodite and Why We Hit Mid-Life Crisis

Who else thought of a bridal veil at this moment? Yes, right, we are now talking about the same concept. The moment a groom unveils his bride and kisses her for the first time, he commits to unite with his other, spiritual half. Across the cultures, throughout the history – the altar may not be there, the color of the veil may not be white, but the veil itself is there doing the same job. Does it explain why we feel that enigma around when we see a veiled feminine figure?

Veil, Giambattista Valli, Paris Haute Couture, Fall 2018. Photo: Internet
Veil, Giambattista Valli, Paris Haute Couture, Fall 2018. Photo: Internet

So, no matter in what shape a veil comes. They all come with the same story. We do not wear that as an everyday accessory any more. But that doesn’t matter. When we see it, we have that same emotions – let it be on the runway or over a graveyard. It emits that enigma. As it happens, the fashion critics are the ones to experience that moment on the front rows, in an arm distance from the runway with all the mystery, charm and glam of the couture masterpieces. Does it explain, why the more creative the veils get, the higher flying praises come from the fashion critics?

To sum up, want to look secretive? – Get your veil on. Want to be even more enigmatic? – add some dark color.

Filed Under: Fashion & Myths Tagged With: couture, Fall/Winter, fashion, fashion symbols, Haute Couture, high fashion, Iris van Herpen, Paris, veil, veils

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Aynura Maye

Currently exploring the know how of Made in Italy through the stories of those who create it. Individuals.

Also, tracking fellow youth from my land Azerbaijan who built themselves in Italy.

Enjoy xx

Aynura

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