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high fashion

Rise of New Fashion Breed: Gamefluencers

November 25, 2020 by Aynura Maye

Sorry skateboard culture, a new generation is in rise – the digital, online, click happy, above all indoor (!) generation. Oh, and the instainfluencers, there is a bad news for you too, time to cede the crown to the gamefluencers.

NOTE: This article was written in the summer of 2019, following Paris Fashion Week. It was deemed not correct or irrelevant by the fashion experts then. Very much embarrassed and confused, I hid it under files and archives, dusting it off only now. It’s a very relevant and unfolding horizon now for high/luxury fashion.

Italians famously “dabbed” when Milan got to host 2026 winter Olympics games. I bet they would do some “floss dancing” too but that is a hard one to master. Probably, it seems unrelated why I talk about dabbing and floss dancing while I am supposed to talk about the future of fashion. I am coming there.

Almost in that same week we observed stylistically highly blurred men’s fashion on the runways in Paris. The conclusion was easy to reach – we are about to have new breed of male shoppers who I will call “man a la moda”. I expect, high fashion will soon flood Instagram, immobilize the army of Instainfluencers to knead this “new type of voguish man”. Note to self, the streetstyle lover millennials were the exact consumer segment that pushed high fashion to bend its rules to lift the trend from streets into its runways (a.k.a skateboarding culture of Virgil Abloh) and painfully redefine its position between exclusivity and accessibility.

However, fashion houses are overlooking two major points – First, male millennials may liken to the idea of shopping along with their female buddies but they are not and will not be native “men a la mode”. By the time they go through psychological transformation, these engaging millennials will AGE out of target margin. It’s the next generation in line who is in capacity to be the native “man a la mode”. The second major point is related to the first one – if the next generation could be native voguish man – who are they? Do they relate to the outdoor inspired skateboarding culture? Are they Instaaddicted like their millenials predecessors?   

Here, I’ll refer to the first paragraph about dabbing and floss dancing – the characteristic moves or elements of the next generation in line that is growing up in a totally different reality. The humorous moves of this generation already charmed beyond millennials, the somber boomers to the point to be the signature move at Milan.  Before we know it, the z-gen and alpha generation, basically, dabbing and floss dancing school kids will make up a new consumer generation as they evolve into a whole new online culture that is alien to us that will mark the imminent change for fashion. The digital, online, click happy, above all indoor generation.

The increasing preference to stay “indoors” rather than go out to interact with the immediate outside world has seen the rise and reliance on online communities rather than a physical group of friends. This is the first sign of a potential shift in taste and consumer behavior. In these liquid times, what platforms does this generation turn to, to gather and create communities?

Apparently, these kids are too young to be on Instagram, Facebook or Twitter. Traditional platforms like TV, radio and print media can also be excluded as “relics of dinosaur age”. Ironically it’s clear then that YouTube and gaming platforms are where these kids socialize, build their communities and learn about the world.

This is the generation that will disrupt the tendencies and trends in streetwear styles as they will become obsolete in creating a new visual, stylistic and collective cultural identity. In its place youth culture will be influenced and shaped by online culture which will trickle down and be reflected in fashion and very different celebrity/influencer landscape.

Talking about the celebrity/influencer landscape – this is where soon major changes will start to take shape. The parallel reality that these kids have built is a whole new, agile and fast world that incorporates and builds on trending themes so effortlessly. Anything “trending” no matter in which platform gets integrated smoothly in a world dominated by three major players – Minecraft, Roblox and Minecraft gaming platforms.

What’s more is these platforms gave rise to a new type of idol– Youtube gamers, who record their gaming sessions and upload on their Youtube channels – these new sorts of stars range from some highly prolific gaming-turned musician Youtubers to strictly gaming Youtubers – from famously infamous Phewdiepie to Denise daily – gamefluencers. I am not judging the moral side of next generation growing up at the gaming platforms, just penning down my neutral observations.

This is not all – another type is the Youtube born musicians like Marshmellow and Alan Walker. I am not talking about numbers and stats – I am talking about their immense and decisive influence on rising pop culture. Musicians from my era– such as Shakira even Justin Bieber have millions of subscribers and views. But judging the taste and aspirations of z-gen and alpha kids, those numbers mean nothing. They are not the celebrities and stars that excite this new generation. These new sort of stars are quick to rise to stardom and will soon fight for the celebrity crown. What will make this fight harder for our Titan Instagram influencers is the flexibility and agility of new stars to pick on what is trending and incorporate or assimilate with ease to appeal to the interests and aspirations of the very tender and porous z and alpha generations. Evidently we are talking about another level of democratization. But just like in the case of Instagram – the early adopters will be a step ahead. Shall we get to see Minecraft, Roblox and Fortnite themes somehow make their way to the runways in Paris and Milan? What would be possible ways of collaboration with the new breed of celebrities and gamefluencers? What tactics high fashion would use to redefine its position between exclusivity and obsessions of the indoor culture? I am just curious.

This article was written in the summer of 2019 and deemed not correct or irrelevant by the fashion experts.

Filed Under: Fashion Tagged With: alta moda, balenciaga, fashion, fashion symbols, fortnite, gaming, Gucci, high fashion, minecraft, roblox

Fashionable U-turn – Elegance and feminine flair a la Couture

January 29, 2019 by Aynura Maye

Cheers to the fantasy function of our mind not to let us die from the cold reality.

I can’t attest for others but what my eyes saw was a different kind of couture from the last year’s. This was definite comeback of the elegant feminine flair, sometimes exaggerated, but in general quite wearable in fact.

Chanel Couture Spring Summer 2019 Paris, Photo: NowFashion.com

This couture was feast of sequins, feathers, layers and layers of organza and tulle put together with painstakingly delicate hand-work. Colors deserve a special mention – from pastel colors of tranquility to splash of bright colors (yes, talking about Chanel and Valentino). Sincerely, I see this U-turn as a manifestation of the regenerative and compensatory function of our psyche for the latest tumultuous couple of years we’ve lived. Our longing for hope.

Balmain Couture Spring Summer 2019 Paris
Photo: NowFashion.com

The Mirror of Our Times a la Couture

Well, until Maison Margiela hit the runway. Right at the U-turn are exactly two radically different tendencies (oh, that regular contradictory nature of opposites, right?) – Comeback of elegance – soberly composed yet delicately suggestive feminine flair on one side expressing cry of our soul to pull our fragmented mind together and John Galliano yet again artistically putting on runway the cold reality – our already disturbingly fragmented state of mind. He rightfully calls his work the show of the excess, the artifice, the decay. Yes, the whole show is very colorful and artisanal but clogged, just like our clogged mind and badly functioning memory. I can’t help seeing striking similarities with the works of Marta Minujin, an Argentine artist, who is famous for recreating the “mess” of our fragmented mind and clogged memory.

Maison Margiela Couture Spring 2019 Paris
Photo: NowFashion.com

His previous couture horrified me a year ago, not that it was bad, just because it was like a not loved mirror that reflected the flaws one doesn’t want to see. This time around he has taken it to a whole new level – sincerely, I find it as a theater inside a fragmented mind living a trauma or I must say the concussion came with digital disruption in the era of consumerism.

Schiaparelli, Couture Spring 2019, Paris. Photo: NowFashion.com

Beauty Stripped Off Its Beauty

Talking about the concussion of disruption, I think we are still good. True, suddenly the fashion herd had painfully revealed that it can’t survive in its isolated glossy bubble anymore, the “ideal beauty” had a major blow while fashion turned into tool and chaotic platform of resistance against canonized societal restrictions and flaws. At another note, the silent majority got a platform to scrutinize and question the once-cherished-but–turned-to-hypocritical-cliché liberal values, which gave rise to populism leading to the most unexpected election results in certain key places.

Which naturally was followed by “high way – my way” attitude that led to borders and nations suffer from isolation and race for self-gain. Big masses simply preferred to shut doors and windows tight, burying the sense of collaboration and empathy, the greatest lessons of the devastating two world wars. We literally live memory concussion intensified by the disruption. And living with the bare reality as John Galliano has put it is really tough. It is freezing cold there.

Givenchy Couture Spring Summer 2019 Paris, Photo: NowFashion.com

But again, I think we are still good. Sometimes it seems to me the great world wars had somehow stemmed from the industrial revolution, the disruption of those days. Of course, the speed of time was different back then. I mean the concussion and memory clog caused by disruptions could be that bad if we choose to roll with the one-sided cold reality.

Valentino Couture Spring Summer 2019 Paris, Photo: Internet

Again, back to fashion. Last year the Anglo-Saxon fashion and media played a crucial role in bringing fashion down to the terrestrial dimension where we mortals live and struggle with social issues every single day. As I said above, the “ideal-beauty” had its quite duly generous dose of scrutiny. Being well-grounded and tackling social issues through the grace of fashion is a strong weapon to readjust already canonized rules and frames.

Desire for Fantasyland

However, burning the bridge to our fantasyland, the source of our hope would backfire. We can’t uproot ourselves off. Our cold and meaningless reality is too much for us to carry. Call it hope, beauty, ideal, fantasy  – whatever label we put on – it is the source of hope. It is what gives meaning to our gray reality and reason to roll into the next day. How we have canonized this concept (hanger thin silhouette or curvy, fluffy softness) doesn’t matter. It is the compensatory function of our mind. The more we suppress it, the stronger it makes its comeback.

Last year the fashion world was swept by the cold reality of flaws and wrongs of our earthly life and viola. This year we are flooded by the products of our fantasy land to compensate the bitterness of reality – sequins, layer and layers of tulle, organza, feathers. The pieces might have been exaggerated, but they were elegantly composed and even suggestive. Even mens’ collections from the previous weeks were somehow soberly composed.

This time I saw cry of our soul for some fantasy, wishfulness. I saw our need for fairy tale that will house our unprotected soul in face of our disturbing reality. The sheer attempt of our mind to compensate for what is missing in our physical dimension.

Filed Under: Fashion Tagged With: alta moda, Balmain, couture, fashion, fashion symbols, Givenchy, Haute Couture, high fashion, luxury, Maison Margiela, Paris, PFW19, Valentino

The Untold Story of Hermès

January 14, 2019 by Aynura Maye

Sky-rocketing price and unaffordability aside who doesn’t love the sight of the Hermès Birkin bag and the stories revolving around it? Even my Google news feed sometimes pops up articles about the celebrities who were seen with it. The enigma of this House is not only about its products, but also its name. The general story is that the Fashion House took its name from the namesake Messenger God. Obviously Hermès was born as a brand specialized in travel accessories (back in times when travel accessories meant horse tack and supplies). So the name of The God who is believed to travel all the time seems to be the right fit. But what kind of messages he used to deliver?

Hermès as a symbol of full transcendence – coming from the depth of underground going upwards to paradise.
Photo: the Internet

The God Hermès that everybody knows

The typical description of the God Hermès goes like this: Hermès is a “psycho-pomp” – that is to say soul-guide. Its statue is a piece of stone – Herm that has Twined Snake around a staff on one side and an Erect Phallus on the other. Next to him there is a sort of tree in a very simple form. Let’s call this composition statue. This statue used to be placed in crossroads alluding to its capacity to travel between worlds. Because like a shaman, Hermès used to guide the dead to the underworld and bring messages from there (bizarre huh?)

Let’s leave behind the logical reasoning and dive into a dimension where concepts transcend the rational and limited meaning we ascribe to them. Then we’ll see what Hermès really represents for us.

Design detail – winged feet of Hermès. Photo: the Internet

If I have to sum up in simple words, Hermès symbolizes the transmutation of soul through the history of evolution.

Not Messenger Only God Hermès

This myth talks us about times when an early man started to rise from the darkness of instinctual life (symbolized as the underground world) towards his/her way to acquire rational thinking (terrestrial life). This young Hermès has a metamorphose nature. He is not a underground force only (meaning, the purely instinctual element of the unconscious). He is also connected to the conscious life. However with capacity to still descend into the dark layers. He symbolizes the process of transcendence. While having a foot in the underground he travels from one dimension to another. How? This part is really funny.

Herm – the initial and simple version of the God Hermès. Photo: Man and His Symbols, C.G.Jung

He penetrates thru darkness of the unconscious into the light of terrestrial life (a.k.a light of reasoning) with his Erect Phallus. I know you are laughing now. But it turns out this is how our mind works at very deep levels. That childish and archaic mode of thinking is still there. Erect phallus is overly sexual of course. But in that dimension, phallus translates into fertility and not physical fertility only, but creative power of the psyche, fecundating, life giving power as well. The twined serpents are in sexual union. Again, sexual not taken literally, but equal union of the opposites that is transcendental, wholesomeness.

Almost as a rule, terrestrial and water animals symbolize our instinctual drives, forces of the “underground”. Reptiles being intermediate creatures with a capacity to live in two different environments, allude to this transcendence – arising from the depth of dark uncontrolled mass towards the world of light – the conscious reasoning.

Hermès – the symbol of full transcendence

Hermès is a living symbol that has been subject to elaboration. In middle ages, it acquired wings which denotes to rising from terrestrial life towards spiritual transcendence.  Wings symbolize this transformation. Even the caduceus in his hand that is a symbol of healing got wings at the top of the serpents. Thus our little fellow acquired a power of full transcendence – coming from the depth of underground going upwards to the paradise.

Not by chance, in the chain of living things we are the only ones who come from darkness of instinctual world of animals with aspirations to mature into spirituality of paradise. We are the terrestrial beings just between underground compulsive forces and heavenly angles.

To close, the soul each of us carry is Hermès destined to evolve through these stages. So, every time, you see an Hermès item, remember, there is a small Hermès inside you too and is way more valuable than anything money can buy.

Filed Under: Fashion & Myths Tagged With: depth psychology, fashion, fashion symbols, greek mythology, Hermes, high fashion, luxury, myth, mythical characters, mythology, the Birkin bag

Fendi’s show on Fontana Trevi and hidden mysticism

October 11, 2018 by Aynura Maye

I have moved to Rome in the beginning of 2016. Pregnant. The baby was due in July. While I was trying to settle down and make space (literally) for the new member of the family, something incredible was happening in Rome of which I became aware quite late. More precisely, that thing was happening in the same month that I was giving light to the new addition of our family. Fendi put on a spectacular show called Legends and Fairy Tales on the iconic Fontana Trevi to celebrate the Fashion House’s 90 years of heritage.

Fendi celebrating 90 years with subtle mythic show – Heroes and Fairy Tales
7 July 2016, Rome, Fontana Trevi
Photo: Internet (Victor Boyko/Getty Images)

To tell the truth, I was too busy with family duties back then. In fact even the idea of this blog hadn’t been born yet. But the thought of me being in Rome during that event and not knowing about it somehow pains me. When I write it down I realize how mean I sound.

Cut to the chase, Fendi’s show was majestic, mythical and obviously very much appraised. Now, almost more than two years later I am going back to that event to share why I would have loved to know about it and why it made people “wow”.

Fendi celebrating 90 years with a subtle mythic show – Heroes and Fairy Tales
7 July 2016, Rome, Fontana Trevi
Photo: Internet (Victor Boyko/Getty Images )

We, unknowingly, tend to reproduce exact same images that were “living realities” of our ancestors, which still are secret realities of our psychic life. You wonder what I am talking about and what it has to do with Fendi’s iconic show. Here it goes:

The Water.  And Fendi models walking over the water or “being born out of water”.


Fendi celebrating 90 years with a subtle mythic show – Heroes and Fairy Tales
7 July 2016, Rome, Fontana Trevi
Photo: Internet (Victor Boyko/Getty Images)

Water in our dreams (and psychoanalysis) symbolizes our unconscious – the dark depth of our psyche. The source or the container of everything from destructive to regenerative, from devilish to divine. In this sense, it is related to “Great Mother” as well. Because our little, tiny, fragile consciousness nourishes on the unconscious. When we feel exhausted, burnt out in life, we shut off to the world and retrieve to that source to recharge and regenerate our life energy.

Now, how this whole spectacle resembles the images and living things I was talking above? Let’s now dig a bit into mythological side of it to see how this relationship to the unconscious manifested itself as mythological symbol. Or just scratch the surface, it is a very complicated symbol.

No need to remind that since we, as mankind, became aware of ourselves, water has been an ever present symbol. Among many other things, it is symbol of regeneration, rebirth and purification. It is that baptismal water that means rebirth in Christianity. Ablution rituals in Islam that stands for purity. There is long list of strict rituals entailing water in Judaism. Regardless religion or faith, full immersion in water is about being reborn out of divine waters to where we will return. In this sense, it is related to the Great Mother, the divine uterus or in psychological terms the unconscious. (Does it explain why there are so many spells and exorcism rituals done with water? Thousand and One Nights series are full of it) I know, it sounds quite absurd when I write like this because it is hard to digest such metaphoric things consciously. But in our unconscious realm where everything gets associated pictorially on feeling-base it makes perfect sense.

Fontana Trevi – divine uterus


Fendi celebrating 90 years with a subtle mythic show – Heroes and Fairy Tales
7 July 2016, Rome, Fontana Trevi
Photo: Internet (Victor Boyko/Getty Images)

Moreover, this scene was over Fontana Trevi. Yes, Trevi is iconic because it is one of the symbols of Rome. But it has its own peculiar significance. People travel hundreds of miles to drop a coin in this water to “make their dreams come true”. With all the mythological monuments that are part of the fountain, Fontana Trevi symbolizes that divine vessel, waters of which hold secrets, recharge, and give hope and new life.

That’s why the whole show with models walking over the water or “being reborn out of water” resembled a ritual of rebirth, where initiator would be immersed in water to be reborn. This is the reason that it had people “wow”.

Filed Under: Fashion & Myths Tagged With: depth psychology, fendi, Fontana Trevi, high fashion, Legends and Fairy Tales, luxury, mythology, Roma, Rome

Veil – the secret of secrecy

July 9, 2018 by Aynura Maye

Last week was definitely a week of headpieces in Paris. Besides all the flamboyant masks and headwear, we were not short of the veils either – black and white, structured and freely flowing, tiny detail and statement piece – all types. And we loved them. Every time I returned to go over a certain collection, I unnoticeably clicked on the looks that came with either a headpiece or a veil. They are catchy, really.

Ashi veil, Paris Haute Couture, Fall 2018. Photo: Internet
Ashi veil, Paris Haute Couture, Fall 2018. Photo: Internet

But the veil is not like any other symbolic headpiece that is poised to exert power. It is quite different, more subtle. Not only it looks romantically beautiful, but also gives an air of secrecy, mystery. It is sublime and tenderly suggestive, calling one to look again to see who or what is behind.

Interestingly, we rarely see a man with a veil. At least, I do not see that happening. Still not in fashion. Because our creativity doesn’t go farther than what our mind produces. In the dark depth of our mind the femininity and the veil go hand-in-hand. The veil makes a female present, yet hidden. Not totally hidden, yet not entirely exposed – something mystical, spiritual is there. It is the hidden mood, deep state of mind. The female is the medium – between celestial and terrestrial.

Georges Chakra veils, Paris Haute Couture, Fall 2018. Photo: Internet
Georges Chakra veils, Paris Haute Couture, Fall 2018. Photo: Internet

Related article:
The “A La Gucci” Great Hermaphrodite and Why We Hit Mid-Life Crisis

Who else thought of a bridal veil at this moment? Yes, right, we are now talking about the same concept. The moment a groom unveils his bride and kisses her for the first time, he commits to unite with his other, spiritual half. Across the cultures, throughout the history – the altar may not be there, the color of the veil may not be white, but the veil itself is there doing the same job. Does it explain why we feel that enigma around when we see a veiled feminine figure?

Veil, Giambattista Valli, Paris Haute Couture, Fall 2018. Photo: Internet
Veil, Giambattista Valli, Paris Haute Couture, Fall 2018. Photo: Internet

So, no matter in what shape a veil comes. They all come with the same story. We do not wear that as an everyday accessory any more. But that doesn’t matter. When we see it, we have that same emotions – let it be on the runway or over a graveyard. It emits that enigma. As it happens, the fashion critics are the ones to experience that moment on the front rows, in an arm distance from the runway with all the mystery, charm and glam of the couture masterpieces. Does it explain, why the more creative the veils get, the higher flying praises come from the fashion critics?

To sum up, want to look secretive? – Get your veil on. Want to be even more enigmatic? – add some dark color.

Filed Under: Fashion & Myths Tagged With: couture, Fall/Winter, fashion, fashion symbols, Haute Couture, high fashion, Iris van Herpen, Paris, veil, veils

Instabeautiful vs humarespectful – Couture a la Ronald van der Kemp

July 7, 2018 by Aynura Maye

The Paris Haute Couture Fall Winter’18 kicks off with RVDK, the label of the couturier of the modern times – Ronald van der Kemp, who I guess, I can comfortably call the King of Leftover Fabrics. As usual, his looks bear details from the period that is his “inextinguishable fountain of inspiration” – the 60s-90s. But to me, in this collection the looks are more romantic, the lines are softer, loose, flare and whimsical. The creations again sport bold colors and combinations are playful. As usual, the focus is on empowering models with garments and fabrics, not on the set.

RVDK, Paris Haute Couture, Fall-Winter 18
RVDK, Paris Haute Couture, Fall-Winter 18, Photo: Internet

All in all, I must confess that not all pieces are to my taste in this “wardrobe” as I am a retro-type person. I love to have fun with peaked shoulders, accented waist etc. that were the staples of the previous wardrobes. However, in general, these pieces of RVDK are quite strong and sure to boost confidence.

Yet I choose to write about this label for another reason – its “humarespectful” couture of RVDK versus “instabeautiful” craze of our days. Because its founder is somehow capable of avoiding all the distractions and cacophony in the fashion world and doing things his way consistently.

RVDK, Paris Haute Couture, Fall-Winter 18
RVDK, Paris Haute Couture, Fall-Winter 18, Photo: Internet

It doesn’t mean that his pieces are not worthy of instahype, in fact, totally opposite. He is very instaworthy. Yet, I guess, the below reasons will make one feel more awesome in his pieces because of the values he sticks to:

The approach to couture:

RVDK couture is usually not “inspiration” or “theme” based. His way of creating couture is relaxed, experimental, spontaneous thus playful and more relatable.

RVDK, Paris Haute Couture, Fall-Winter 18
RVDK, Paris Haute Couture, Fall-Winter 18, Photo: Internet

The approach to fashion:

He calls his collections “wardrobe”. Because, one may pull up a piece of some good years from her wardrobe to wear. It is not about being seasonal. It is about mindful consumption. It is about building a wardrobe that has both – old and new.

RVDK, Paris Haute Couture, Fall-Winter 18
RVDK, Paris Haute Couture, Fall-Winter 18, Photo: Internet

The guts:

In our times it is hard to resist the mainstream and not get pushed into the “acceptable frame” of the time. Somehow he is capable of doing it. While the leviathans and behemoths of the fashion world roar on Instagram and elsewhere, he is whispering his values through his work and commitments. He takes stance, just like any other successful label. But not by creating a public stir, by going out and giving his contribution without noise.

Respect for resources:

In the first paragraph I called him the King of leftover fabrics and it was for a reason. He is notoriously known for his use of leftover and vintage fabrics. Besides being a very responsible and “couture” way of doing it, to me, the results are eccentric with sometimes remarkable and colorful patches.

Empathy:

For the wardrobe of the last year he employed refugee labor. Attention, we are talking about it in a time when Europe probably lives the darkest days of refugee crisis so far.

Preference for nature-given looks

The label vehemently bashes the Instagram filters. And I agree. We use filters to a point, when I lift my head out of my excessively filtered virtual world, I find the colors in the real world quite boring. And this is no good. It makes me depressed.

Well, in a short while, I guess I’ve complied quite a list of reasons for those who choose to create deeper bond with their garments, rather than use them to create another personality.

Again, do not worry, the label is as much instabeautiful as it is humarespectful.

Filed Under: Fashion Tagged With: couture, fashion, fashion symbols, high fashion, recycled fashion

Lamb – Not Your Usual Animal

May 21, 2018 by Aynura Maye

What’s in there for me: An eye-opening fact that would make us think twice before making “religiously discriminating” statements. Here it goes – To our consciousness Lamb maybe only a household animal, but not for the unconscious. Just to scratch the surface, Lamb, at least for the descendants of Abrahamic religions, is a symbol of humility, willingness to surrender to higher power or higher order. It symbolizes acceptance of and repentance for shortcomings and malevolent deeds. The sacrifice of Lamb means to symbolically exterminate the aspects of human nature that have tendency to inflate to the point that may hurt others. For example, our anger, ego, jealousy, self-importance, among others. It is a mechanism of our psyche to keep our worldly attachments in control.

This post makes part of the post “The Secret Stories for Symbols“. Click the link to read more about the wonderfully secretive nature of the symbols. 

Full post starts here

Me and the Lamb

These days, when one talks about Lamb as sacrifice, automatically our mind associates it with Islam. Does this symbol really belong to Islam only? From what I found out, absolutely NO.

While in Argentina when I started these studies, one of the things I was surprised to find out was that one of the names of Christ was also The Lamb. He himself represents sacrifice in this case.

Lamb in religious symbolism together with symbols of Evangelists. Group of four elements is typical in religious depictions. Photo: Internet
The Lamb together with symbols of Evangelists. In general, group of four elements is typical in religious depictions. Photo: Internet

Currently I live in Rome and this place is just heaven for those interested in evolution of thought. Just by walking down the street one can learn so much by carefully observing monuments. This city is also home to the oldest catholic churches, which still carry old facade paintings. This is what I love about Rome. History is live here. Cut to the chase, about 4 blocks from my home there is an old church. Over the façade of this church there is an image of the Lamb right at Christ’s foot. After seeing this I started to inspect the facades of other churches. Interestingly, I found a handful of them with similar illustrations. So this has been a recurrent symbol.

The Secret Story of Lamb

True, The Lamb is almost a forgotten image in Christianity these days. However, I guess, everybody knows that it is a very living symbol in Islam. It is a symbol of Muslim holiday Eid-Mubarak. Again, it is a symbol of sacrifice. Also, Torah mandates Jews perform sacrificial ritual of Paschal Lamb on the eve of Pass Over (Pasqua).

To sum up, to our consciousness Lamb maybe only a household animal, but not for unconscious. Just to scratch the surface, Lamb, at least for the descendants of Abrahamic religions, is a symbol of humility, willingness to surrender to higher power or higher order. It symbolizes acceptance of and repentance for shortcomings and malevolent deeds. Sacrifice of Lamb means to symbolically exterminate the aspects of human nature that have tendency to inflate to the point that may hurt others. For example, our anger, ego, jealousy, self-importance, among others. It is a mechanism of our psyche to keep our worldly attachments in control.

Why such a bloody ritual? Pain in body makes soul suffer and suffering is fundamental for spiritual growth. Just like a famous expression goes: Light enters through wound.  That’s why normally religious rituals are violent and harsh.

This post makes part of the post “The Secret Stories for Symbols“. Click the link to read more about the nature of the symbols.

Filed Under: The (Un)Conscious Tagged With: alta moda, fashion, high fashion, lamb, mystery, mythical characters, religious symbols, symbols, the conscious, the Lamb, the unconscious

Gucci’s Garden of Earthly Delights …. Where to Look for It?

May 14, 2018 by Aynura Maye

What’s in there for me: Something big – a solid answer for this much debated topic of humanity. It would be naive to take The myth of Creation as a historical record. In fact, the first stories of the Garden of Eden date to a much later date than the earthed bones of early hominids, Homo Habilis. I mean, we talk about some 2 million years of difference. So, at the time the Eden’s Story was born, our ancestors already had some sort of clothing. It was not Gucci obviously but they had already covered their private parts. In short, this story is not a historical record. It is not biography of Adam and Eve either. It is a symbolic illustration of how our psyche has experienced the process of evolution, namely, the birth and separation of the consciousness. It is the way how our unconscious translated the process of growing consciously different from the rest. And it is also the story of hope. Hope for what? Read the full post to find out.

Read the blog post “That wasn’t technically fire – what was it?” to learn more about the nature of the conscious and the symbols that illustrate the pain of being consciously different.

The full post starts here.

With arrival of Alessandro Michele, Gucci has become a Garden of mystery. Some interpretations are unnerving to me, I accept. Regardless, I love scrolling their Instagram feed full of mystical and historical references.

This is my first try of Gucci and I’ve chosen a widely known myth of Garden of Eden with “fashionable” touch of Ignasi Monreal.

Rework of Bosch's Garden of Earthly Delights by Ignasi Monreal for Gucci. As usual, he beautifully mixes mythical with mundane.
Rework of Bosch’s Garden of Earthly Delights by Ignasi Monreal for Gucci. As usual, he beautifully mixes mythical with mundane. Photo: Internet

Our First Parents? Dressed in Gucci Style or Nude?

The original version of this retouched artwork is visually somehow different from “conventionally accepted” image of Garden of Eden as it carries quite some touch of author’s own visions. But the storyline is similar. We are talking about origins of universe and emergence of our first parents.

It is amusing to learn the fact that the first stories of Garden of Eden date to a much later date than the earthed bones of early hominids, Homo Habilis. I mean we talk about some 2 million years of difference. In other words, talking chronographically, when Adam was kicked out of that Walled Garden of Eternity and landed on mortal Earth, this place had already been populated with his fellow species long, long time ago. I am sure, he didn’t feel lonely. By the way, I guess they already had some sort of clothing.

Part of the original art "Garden of Earthly Delights" by Bosch. Photo: Internet
Part of the original art “Garden of Earthly Delights” by Bosch. Photo: Internet

Life in Garden of Delights – Not as Stylish as Gucci’s

Let’s see before being kicked out how was his life. Adam was in Garden of Delights enjoying his lazy and solitary yet immortal life. At the center of this Garden there were two trees – the Tree of Knowledge and the Tree of Immortality. There were four rivers in the garden, flowing from inexhaustible sources in four directions to keep the world refreshed. He was bored, so God created his counterpart, Eve out of his rib.

The treacherous serpent curled around the Tree of Knowledge whispered about the marvelous forbidden fruit of the Tree to the woman. Obviously she gave in, because, she herself is a symbol of temptation (in the eyes of Adam). She even convinced Adam. They tried the fruit of the Tree of Knowledge and suddenly became aware of their differences and got ashamed. They got expelled from the Garden for eating that fruit. To make things worse, the God put two wrathful protectors in front of the gates so that they couldn’t sneak in.

I am writing another post about this lower relatedness aspect of woman as homage to the Gucci’s Great Hermaphrodite art work. Also a separate post about Snake. Stay tuned.

Absurdity All the Way

Although ridiculously absurd, this story runs along the texts of all of Abrahamic religions. Even uncontaminated cultures have their own versions with similar symbolism – precisely, the Tree and the Snake. How one can believe in this bizarre story and actually consider it as actual records of beginning of the universe while our facts are telling us a totally different story? Now one needs to ask this question – did really this place exist?

Answer from psychoanalysis is yes and no. No, because, there is no Paradise (walled enclosure) on an already well-explored Earth. Yes, because, it is our inner reality and this explains why such a weird absurdity has managed to gain so much fame. It is not a historical record of the origin of the universe. Yet it is how our psyche has experienced the process of evolution, namely, birth and separation of the consciousness. This story is manifestation of man’s longing for pre-conscious sense of totality in symbolic language of unconscious. But it is not only about longing, it also talks about hope.

Second Look at Symbols

Let’s get into translation. It turns out that it was the Knowledge, the Awareness that put us behind the protected doors. It was time for us to get out of that Garden. So that treacherous Snake – the symbol of “Eternal Wisdom” set up the “plan”.

At some point in evolution, we developed a capacity to judge everything in terms of good and bad which we perceive as fear and desire. In mythological language, our first parents “ate the fruit of knowledge” and became self-aware – the characteristic feature of consciousness. So it was the nature of our reasoning that closed those doors to our face.

Self-awareness was not the only revelation. Then it downed upon them that there is a thing called death while they are lustful creatures with desire to live. So fairy tales abound with stories about search of elixir of life and man’s desire to transcend mortality. Because, although we can’t taste that bliss any more, we haven’t lost the knowledge that there is a dimension of our nature that transcends mortality.

The Cost of Being Consciously Different

This differentiation of ourselves, development of consciousness has cost us to lose that “eternal, timeless completeness” – the period now babies experience from the moment of conception until early development of consciousness (does that explain why they are good at being happy?). Then for the rest of life try to experience it again.

Read the blog post “That wasn’t technically fire – what was it?” to learn more about the nature of the conscious and the symbols that illustrate the pain of being consciously different.

Religions are our cry for such transcendence – our hope to transcend this carnal world of duality to experience that “timeless delightful state”. Because it is when the “self-aware” consciousness will let go its petty “me and mine” game and will experience transcendence through self-sacrifice and submission to higher order. Enduring spirituality is where he hopes to experience these delights that are beyond duality of opposites – worries and desires, temptations and fears, light and dark.

Paradise… Where is it?

But not all is lost. That walled eternal land still resides inside each of us, in the depth of our dark psyche, protected by cultural ogres, fire breathing dragons, many-headed scary creatures, which we come across in myth and fairy tales. They are personifications of our worldly attachments and survival instincts. Remember, the God put two frightful monsters in front of the doors?  We are talking of the same thing now. The way to return there is to defeat all these roaming instinctual forces and give back that “fruit”, which made us aware of ourselves and our surrounding. In other words, sacrifice our consciousness. Precisely, the way to immortality goes through Death, let it be physical death or symbolic death to our worldly attachments.

Only thru total renunciation of ego-oriented attachments the return is possible to that state of eternal bliss free of worries and temptations. But this time the experience is not that of a baby. It is that of a mature person in the form of immortality of spirit. Nothing carnal.

Related posts:

That wasn’t technically fire – what was it?
The Secret Story of Symbols”
The Unconscious – The Great Mother, The Conscious – Overconfident Kid

Filed Under: Fashion & Myths Tagged With: Alessandro M, Alessandro Michele, alta moda, art, conscious, fashion, Garden of Earthly Delights, Gucci, high fashion, Ignasi Monreal, Paradise, psychoanalysis, unconscious

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Aynura Maye

Currently exploring the know how of Made in Italy through the stories of those who create it. Individuals.

Also, tracking fellow youth from my land Azerbaijan who built themselves in Italy.

Enjoy xx

Aynura

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