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You are here: Home / Archives for Schiaparelli

Schiaparelli

It’s In The Details – #PFW

October 6, 2020 by Aynura Maye

With so much uncertainty around, I’ve got bored with myself and decided to have some fun. So, I’ve gone thru the shows of the Paris Fashion Week (literally, all of the shows of the PFW and I need slice of cucumbers for my eyes now) and put together ten details that stayed with me. It wasn’t an easy task, I should say. On a good side, as a detail-oriented person, I normally tend to forget the big picture and focus on insignificant details. And I think it worked well this time. To me, PFW is the only fashion week when the designers unleash their fantasies. Always too many and too elaborate details to watch for. Below are just ten of the details that I super-filtered after marathon watching all of the shows.

10. Balmain

Shoulders! No need for more words.
Featured only partly here, but that biker suit combo is awesome too!

https://www.instagram.com/p/CF2TMgBg2Yr/

9. Giambattista Valli

I’ve laid my eyes on that hair detail…. and eyes too (also those disappeared eyebrows for that matter!) This is “Pretty” as it was called.

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A post shared by Giambattista Valli Official (@giambattistavalliparis)

8. Andrew GN

You see that little fan-like accessory? Well, it is a fan. Do not be fooled by its innocent look. It can be more dangerous than a sword. Never joke with fan. Never EVER fool around with a woman that carries a fan!

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A post shared by Andrew Gn (@andrewgn)

7. Kenzo

Can you spot the detail? The major detail? Yes, right, that is what I mean. The must-have of 2020.

https://www.instagram.com/p/CF2iuFYli1U/

6. Anton Belinskiy

May there be light! ALWAYS!

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A post shared by Anton Belinskiy (@antonbelinskiy)

5. Givenchy

Givenchy grew horns with Matthew Williams. Literally! Joke aside, I think, this one will hit it off despite mixed reviews by fashion journalists. As much as I loved Clare Waight Keller, I feel that this one will reach its consumer in target. Oh, almost forgot, Matthew Williams explains his collection as “it’s about finding humanity in luxury” – that made me think… about how luxury is perceived by non-consumers. And those horns didn’t look weird anymore.

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A post shared by GIVENCHY (@givenchy)

4. Louis Viutton

Is it only me or someone else also gets old wooden Russian shoes vibe from these LV shoes? Seriously… Nicolas Ghesquiere, come on man, tell us…. (Wooden Russian shoes below for visual comparison).

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A post shared by AYSIN BİTER ÖZTÜRK (@aysinbiterozturk)

These are the Russian wooden shoes I am talking about.

3. Vivienne Westwood

This list wouldn’t be complete without the audacious Vivienne, right? Ok, where shall we start? Maybe from those spooky earrings?

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A post shared by Vivienne Westwood (@viviennewestwood)

2. Beautiful People

This is almost everybody at some period this year. Just confess. Sum-up of 2020.

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A post shared by beautiful people official (@beautifulpeople_officialsite)

1. Schiaparelli

The winner of the PFW SS21 is doubtless Schiaparelli (to my humble opinon). All the modern day accessories in fantasy glam – let it be that kinda weird mask – the must have accessory of our days or the glasses that come with eyes. What a golden way to watch the world crumble down around us. And the eyes on that bag! I’d install camera behind them inside the bag!

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A post shared by Schiaparelli (@schiaparelli)

View this post on Instagram

A post shared by Schiaparelli (@schiaparelli)

Filed Under: Fashion Tagged With: aynura maye, fashion, fashion symbols, Fashion Week, Givenchy, Kenzo, Paris Fashion Week, Schiaparelli

Couture headpieces – anything from wild to flamboyant, but never a dumb thing!

July 11, 2018 by Aynura Maye

Last week on the couture runway we have seen the most creative headpieces so far – from the sublime veils to the most flamboyant masks of animals, flowers, you name. Actually, this is what has remained with me about this week – a parade of flashy headpieces and masks.

Paris Haute Couture Fall 2018. Schiaparelli. Photo: Internet
Paris Haute Couture Fall 2018. Schiaparelli. Photo: Internet

Even more interesting is the sky-high praises and affirmative reactions the luxury houses garnered for these obviously impractical pieces. In such a paradoxical moment the first thing comes to mind is “well, it is a couture week, no rules, no restrictions to the imagination”. Yes, let’s say that part is clear. But why so much positivity from the connoisseurs of fashion?

This article has originally appeared in Marie Claire Italia in Italian  as “I copricapi della Haute-Couture 2019 sono l’essenza dello sciamanesimo moderno?“

Paris Haute Couture Fall 2018, Vetements. Photo: Internet

Sit close and I’ll give out a secret – no matter how far our imagination goes, it simply can’t go farther than what our mind can produce. Using flashy headpieces have certain power or we are wired to ascribe certain power to them. Let me give an example to make my point clear – who remembers the images of the primitive men from the history books, more precisely, the images of shaman? The shaman who wore bird masks, beaks and feathered wings to enter the trance. Surely, they were not getting ready for a couture runway then. What they meant was to take on a bird life so that their souls could get liberated and fly out of their bodies. And their tribe, including those shamans took this make-believe game seriously. They all were impressed and taken by the power of this ritual.

Read about the secretive nature of the veils here

Paris Haute Couture Fall 2018, Schiaparelli. Photo: Internet
Paris Haute Couture Fall 2018, Schiaparelli. Photo: Internet

Or when we are sad, we describe our life as dark and black, the same color we dress the angel of death in our imagination. It never comes in a colorful garment. When we are in love, we bloom flowers. All these metaphors seem so logical that we do not even bother to ask “how and why?” Yet there is no logical connection in such kind of associations.

Paris Haute Couture Fall 2018, Schiaparelli. Photo: Internet
Paris Haute Couture Fall 2018, Schiaparelli. Photo: Internet

The same thing is happening now. In a sense, those flamboyant pieces are just an exaggerated way of communicating our state of mind. The difference is that we’ve pushed the use of those exaggerated, extravagant headpieces to the runways only. But the reaction they stir inside us is still the same. In the depth of our mind we are not much different than our ancestors. We still use headwear, but in a more subtle manner. Just because we are more conscious of ourselves now. Yet we get overwhelmed and dazed by the power they exert on us. Just think about the headpiece of the Pope or of a judge. We haven’t changed much, have we?

That’s why rather than saying “it is a couture week, no limit to the imagination”, I’d say “it is a couture week, let’s have a blast with everything that our mind can fantasize”.

To sum up – now that we know the secret power of the headpieces, we know how to wear to impress. In the end, the life is runway and we are role-models of our own lives. Let’s jazz it up.

This article has originally appeared in Marie Claire Italia in Italian  as “I copricapi della Haute-Couture 2019 sono l’essenza dello sciamanesimo moderno?“

Read about the secretive nature of the veils here

Filed Under: Fashion & Myths Tagged With: fashion symbols, Haute Couture, headpieces, Paris, Schiaparelli, shamanism

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Aynura Maye

Currently exploring the know how of Made in Italy through the stories of those who create it. Individuals.

Also, tracking fellow youth from my land Azerbaijan who built themselves in Italy.

Enjoy xx

Aynura

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